Afternoon program (Junior and intermediate students) | |
Jack Adams | Vol.I: 1-6 Six Unison Melodies. 12 Reflections. 15 Village Song. Vol.II: 40 Yugoslav mode. |
Prue Tysoe | Vol.I: 7 Dotted notes. 8 Repetition. 9 Syncopation. 10 With alternate hands. 11 Parallel motion. 13 Change of position. 14 Question and answer. |
Jessie Odom | Vol.I: 18-21 Four unison melodies. |
Dominic Page | "First Term at the Piano": No.10 Folk Song. Vol.I: 22 Imitation and Counterpoint. 23 Imitation and inversion. For Children: Song (The Lost Cat). |
Savannah Burge | For Children: Study for the left hand. |
Casey Burge | Vol.II: 38 Staccato and legato. 39 Staccato and legato. |
Ruby Harford | Vol.I: 27 Syncopation. 33 Slow dance. Vol.II: 55 Triplets in Lydian mode (piano duo) |
Phyllida Behm | Vol.II: 49 Crescendo-diminuendo. 52 Unison divided. 54 Chromatic. 55 Triplets in Lydian mode (piano duo). |
Jack Adamson | Vol.III: 67 Thirds against a single voice. 69 Chord study. 74 Matchmaking song (Solo). |
Harriet Blaazer-Grossi (soprano) and Ruth Parsons (piano) | Vol.III: 74 Matchmaking song. 95 Song of the fox. Vol.II: 32 Dialogue. |
Ruth Parsons | Vol.III: 90 in Russian style. 76 In three parts. Ten easy pieces: Evening in Transylvania. |
Harriet Blaazer-Grossi | Vol.II: 45 Meditation. Vol.IV: 113 Bulgarian rhythm. |
James King | Vol.II: 43 In Hungarian style (piano duo). 44 Contrary motion (piano duo). Vol.III: 75 Triplets. 72 Dragons' dance. |
Charlotte Aplin | Vol.II: 42 Accompaniment in broken chords. Vol.IV: 107 Melody in the mist. |
Colin Forbes | Vol.I: Little dance in canon form. 34 in Phrygian mode. Vol.II: 50 Minuet. 57 Accents. 62 Minor sixths in parallel motion. Vol.III: 78 Five tone scale. 80 Homage to R.Sch. 96 Stumblings. |
Evening program (Intermediate and senior students) | |
Griff Ware | Vol.II: 47 Big fair. 48 In Mixolydian mode. IV: 100 In the style of a folk song. 102 Harmonics. Vol.III: Hungarian dance (piano duo, with Lincoln Daw). |
Lincoln Daw | Vol.III: 82 Scherzo. 84 Merriment. Vol.I: 32 In Dorian mode. |
Lucy Aplin | Vol.VI: 147 March. Vol.III: 94 Tale. Vol.V: 139 Merry Andrew. |
Rachel Parsons | Vol.III: 77 Little study. Vol.IV: 116 Melody. Vol.III: 79 Homage to JSB. |
Kathy Franzi | Vol.IV: 97 Notturno. Vol.II: 61 Pentatonic melody. Vol.IV: 109 From the island of Bali. Vol.II: 58 In Oriental style. |
Meg Colwell | Vol.II: 60 Canon with sustained notes, (a) Organ, (b) Piano. Vol.V: 123 Staccato and legato (1 & 2). 136 Whole-tone scale. 125 Boating. |
Helen Saunderson | Vol.III: 87 Variations. Vol.IV: 112 Variations on a folk tune. |
Ros Dalziell | Vol.IV: 118 Triplets in 9/8 time. Vol.II: 63 Buzzing. Vol.IV: 114 Theme and inversion. Vol.VI: 143 Divided arpeggios. Vol.III: 88 Duet for Pipes. |
Daniel Steyn | Vol.V: 135 Perpetuum mobile. Vol.III: 83 Melody With interruptions. Vol.V: 137 Unison. 130 Village Joke. |
Alexander O'Sullivan (* with Erin Allen, Soprano) | Vol.V.: Chords together and opposed. Vol.III: 91-92 Chromatic inventions 1 & 2. (*) Vol.V: 127 New Hungarian Folk Song. 131 Fourths. Vol.I: 144 Minor seconds, Major sevenths. Vol.V: 133 Syncopation. (Alexander also played these pieces at the afternoon concert) |
Stuart Long | Vol.VI: 148-153 Six dances in Bulgarian rhythm. |
Colin Forbes | Vol.IV: 120 Fifth chords. 117 Bourrée. 110 Clashing sounds. Vol.V: 129 Alternating thirds. Vol.VI: 141 Subject and reflection. 146 Ostinato. |